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One looks into an exhibition room whose walls and floor are covered with dirty carpenter's boards. In this room you find three used concrete mixers and an expansive structure that could resemble a trellis. This structure is smeared with concrete that drips down onto the floor. Handwritten notes in Korean, German and English cover the back wall, some round ear or shell like structures hang between them. The windows on the left side of the room are covered with camouflage netting.
One looks into an exhibition room whose walls and floor are covered with dirty carpenter's boards. In this room you find three used concrete mixers and an expansive structure that could resemble a trellis. This structure is smeared with concrete that drips down onto the floor. Handwritten notes in Korean, German and English cover the back wall, some round ear or shell like structures hang between them. The windows on the left side of the room are covered with camouflage netting.
Mire Lee, Look, I’m a fountain of filth raving mad with love, 2022, photo: Frank Sperling
Look, I’m a fountain of filth raving mad with love

Audio description
Lying on her left side, eyes closed and the right outer palm almost protectively resting against her cheek, the painting shows a woman that is asleep. She has black, short hair and rests on pillows whose patterns appear ornamental and whose satin-like materials shimmer reflectively.
Lying on her left side, eyes closed and the right outer palm almost protectively resting against her cheek, the painting shows a woman that is asleep. She has black, short hair and rests on pillows whose patterns appear ornamental and whose satin-like materials shimmer reflectively.
Mire Lee, Sleeping Mom, 2020, film still
Sleeping Mom

Audio description
A dark-haired woman with red fingernails, strong make-up and feather boa sits in a red-painted interior. In the background you can see a refrigerator and a plant standing on a bedside cabinet. She is probably looking into a camera and narrating, her mouth is slightly open and her hand is holding a cigarette. The subtitle says, "Then I decided to go all the way."
A dark-haired woman with red fingernails, strong make-up and feather boa sits in a red-painted interior. In the background you can see a refrigerator and a plant standing on a bedside cabinet. She is probably looking into a camera and narrating, her mouth is slightly open and her hand is holding a cigarette. The subtitle says, "Then I decided to go all the way."
Interview Veronica Moser, film still
Deep Inside Veronica Moser's Mind

Audio description